約 5,554,575 件
https://w.atwiki.jp/touhoukashi/pages/4265.html
【登録タグ D SOUND HOLIC YURiCa/花たん ピュアヒューリーズ ～ 心の在処 射命丸 -SHAMEIMARU- 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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} /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; 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visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; 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https://w.atwiki.jp/vocalive/pages/193.html
LIVEと行事一覧DB データベース (DataBase for Vocaloid Live Concerts and Events)-ライブ技術一覧 メニューMENU +←クリック目次 [←Click here for CONTENTS] ↓↓↓現在のページ名（Current Page Name）↓ 自動作成目次(contents) 行事紹介（Vocaloid Live Concert and Event Information） 【TECH/日本/ボカパ Vocapa (Vocaloid Live Party) Japan】 UNDER CONSTRUCTION 「ボカパ Vocapa☆ For the future 2014」 Team☆Vocapa Live at TOYOTA若者フェス Team☆Vocapa 夜の密会（Mikukai)ライブ Team☆Vocapa Night Mikukai Live ダイジェスト映像・動画配信・写真等（Summary Video, Live Streaming Photo） チケット情報・グッズ情報・BD/CD・その他 (Ticket Goods Information, etc.) 技術情報・出演ボーカロイド・スクリーン・MMD・3Dモデル・プロジェクター・ソフト・舞台等 (Technology・Vocaloid Name・Screen・MikuMikuDance・3D Model・Projector・Software) 出演者・製作者・関連ブログ等 (Musician, Staff, Related Blog and Credit) セットリスト（演奏曲目）・その他 (Set List, name of music) Summary in English and other language（英語等での紹介） 行事を行う団体や個人等 (Organizer and Group) スポンサー・協賛等 (Sponsor and Support) 関連行事 (Related Event Info.) 紹介記事・参考サイト・謝辞・文献等 (News, References, Acknowledgement and Credit) Blog Memo・メモ帳 EDIT Page ライブ技術一覧 ((TECHNOLOGY of Vocaloid Live Concert and Event) 1各自で研究開発中の投影ボードとスクリーンの一部 2手作りライブ等の為の技術情報 Technology for the Vocaloid Handmade Live Concert 3将来応用可能なライブ関連技術及び研究 Research and Development for Future Mascot and Vocaloid Development マスコットキャラ及びボーカロイドの作成と育成 ギミック Gimmick of Live Concert コンテスト Contest スクリーンに投影可能なテスト素材動画 Videos for Testing メンバー募集案内 Member Request ライブ録画技術 Video Recording Technique 動画作成のコツとMMD [Tips for Making Video & MMD]+MEMO 参考文献 References 各自で研究開発中のKinectと遠隔操作等の一部 Remote Control & Kinect 各自で研究開発中の同期システム Synchronization System 技術関係のMEMO 技術関係のMEMO2 perm 過去のライブの反省会等の一部 過去のライブの反省会等の一部 MEMO 配信と動画up技術 Streaming and Uploading Tech of Video ls(TECH) 3D Printer English/Test Video to Put on Screen 投影テスト用映像 English/Translation tool 翻訳ツール Oversea/AniMiku Vocaloid Live Concerts & Software Development USA Oversea/HATSUNE MIKU Live Concerts of Miku-UK Project 39UK Oversea/Project MMD Live+39diyMMDConcert USA 日本/Hatsune Miku Hako Vision (Box Vision) Production 日本/Vocaloid Live at Ijirako ミクオン 伊自良ステージ Japan 日本/[TwiPla] 第3回 初音ミクコンサートライブin熊本市立図書館[TwiPla] Live in Kumamoto 日本/ボカパ Vocapa (Vocaloid Live Party) Japan 日本語/会場設備-EVENT Hall info 行事紹介（Vocaloid Live Concert and Event Information） ↓このページ名（Current Page Name）↓ 【TECH/日本/ボカパ Vocapa (Vocaloid Live Party) Japan】 【登録タグ(tag) 】 TECH/日本/ボカパ Vocapa (Vocaloid Live Party) Japan Related page ライブ技術一覧/2手作りライブ等の為の技術情報 UNDER CONSTRUCTION 「ボカパ Vocapa☆ For the future 2014」 http //vocapa.blog.jp/archives/1005330465.html http //vocapa.blog.jp/ ミニ・ボーカロイド・ライブコンサート 「ボカパ Vocapa☆ For the future 2014」開催だって～！ 参加者募集中です 新しい特設サイトはこちらです。 vocapa.blog.jp http //vocapa.blog.jp/archives/1005330465.html 江南市民文化会館 愛知県江南市北野町川石25-1 TEL 0587-55-2321 会場へのアクセス 名古屋駅から名鉄犬山線 江南駅 下車 東口より徒歩 約6分 http //vocapa.blog.jp/archives/1005509107.html http //vocapa.blog.jp/archives/1005330465.html 会場までの地図 バンドの生演奏もあり。 Producer 明日夢P Team☆Vocapa Live at TOYOTA若者フェス Team☆Vocapa Live at TOYOTA Youth Festival 若者フェスでボカパやるよ (Vocapa will be hold at TOYOTA Youth Festival) http //www.youtube.com/watch?v=XqJiXgyt0Ms 新しい特設サイトはこちらです。 http //vocapa.blog.jp/ http //vocapa.blog.jp/archives/1041722668.html 日時 2015年10月11日 開催地 豊田市産業文化センター 小ホール 主催 公益財団法人 豊田市文化振興財団 入場料 無料 開演 17：30（実際には17：15分からプログラムスタート） 入場できる時間 17：00の予定 制限 同日12：00に多目的ホールで整理券配布との事。 整理券 1名につき1枚に限るとの事。 地図 チラシを参考にしてねヾ(=^▽^=)ノ 補足事項 本ライブはファンメードによる（公式ではない）ライブです。 ボランティアサークルなので、 もし、ミスしちゃっても大目に見てね・・・ よろしくお願いします。 TOYOTA若者フェス TOYOTA Youth Festival http //www.youth-toyota.com/ TOYOTA若者フェス TOYOTA City Cultural Promotion Foundation 公益財団法人 豊田市文化振興財団 http //www.cul-toyota.or.jp/top/top1.html Vocapa at TOYOTA Youth Festival Date Oct. 11, 2015 Time 17：30 Location TOYOTA City, Aichi prefecture, Japan Producer 明日夢P Live Band Members(バンドメンバー） Electone ゆかりん Drum うっちーP Violin Mayu Team Vocapa Team☆Vocapa Team☆Vocapa 夜の密会（Mikukai)ライブ Team☆Vocapa Night Mikukai Live Team☆Vocapa Night Mikukai (a secret) Live at TOYOTA Youth Festival http //vocapa.blog.jp/archives/1046070455.html ダイジェスト映像・動画配信・写真等（Summary Video, Live Streaming Photo） 10月11日 TOYOTA若者フェス Team☆Vocapa ライブ 完全 (TOYOTA Youth Festival Team☆Vocapa Live Concert complete Edition) http //www.youtube.com/watch?v=aB_lvaRIxx4 TOYOTA若者フェス 音ズレ修正版 (TOYOTA Youth Festival Concert (after sound delay adjustments)) http //www.youtube.com/watch?v=uhdvxQfi6pw 10月11日 TOYOTA若者フェス Team☆Vocapa ライブ (TOYOTA Youth Festival Team☆Vocapa Live Concert)20min Ed. http //www.youtube.com/watch?time_continue=146 v=dB80tz8j5-8 http //www.youtube.com/watch?v=dB80tz8j5-8 TOYOTA若者フェス Digest3 (TOYOTA Youth Festival Team☆Vocapa Live Concert Digest3) http //www.youtube.com/watch?v=zTjteMm5yNQ Vocapa at TOYOTA Youth Festival Date Oct. 11, 2015 Time 17：30 Place TOYOTA City, Aichi prefecture, Japan 関連映像 (Related Videos) チケット情報・グッズ情報・BD/CD・その他 (Ticket Goods Information, etc.) チケット情報一覧 http //vocapa.blog.jp/archives/1042066905.html http //www.youth-toyota.com/ http //www.cul-toyota.or.jp/top/top1.html official goods 技術情報・出演ボーカロイド・スクリーン・MMD・3Dモデル・プロジェクター・ソフト・舞台等 (Technology・Vocaloid Name・Screen・MikuMikuDance・3D Model・Projector・Software) 技術内容が不明の部分は、空けておいて下さい。 (IF YOU DO NOT UNDERSTAND, LEAVE THE TECHNOLOGY SECTION OPEN.) Screen 投影スクリーンの種類 (Screen Type)： スクリーンの素材（Materials for making screen）： スクリーン素材の網の目等のメッシュのサイズ：Mesh number # or Mesh size of Screen： スクリーン素材の製品カタログ番号等（Product Number of materials for making screen）： スクリーン素材の透過率(%)及び色等（Light Transmittance (%) of screen, Color）： 投影スクリーン等への映り込み状態(Reflection)：Very low or nothing 鮮明度 Clearness, resolution of screen： maybe Very High 舞台の高さ（stage height）： スクリーンの高さ（Screen height）： スクリーンの大きさ又は横の長さ (Screen Size)： スクリーンの継ぎ目の数(Junction within the screen)=(つないで使用された投影ボード等の枚数-1、?) ： number of materials used for making main screen： 使用された投影ボード等の枚数（Number of board used）： 音響設備及び音響状態 (Sound)： プロジェクタの種類・台数 (Projector)：1 使用ソフト (Software)： Projection software 3D model： Producer of 3D Model：モデル製作： スクリーン及び映像の解像度（Resolution of Screen and video）： 投影時の色補正（Color Adjustment to view on screen）： MMDのモデルの種類（Model Type of MikuMikuDance）： Motion Computer and OS： レンダリング ソフトRendering software レンダリング速度等 fps フレーム速度(frame speed) fps カメラ等 (Camera)： 技術説明動画・写真等 (Tech Video Photo)： 会場設備のホームページ (Homepage of the Event Hall)： 会場設備 その他 (others)： スクリーンは継ぎ目の無いポリッドを予定 一応60fpsフルハイ画像 ムービングヘッド5台＋スモーク＋LEDパー25台 衣装モジュール及びデザイン： (Clothing design of the models) 同期システム (Synchronization system)： 選曲 (music selection)： 出演者・製作者・関連ブログ等 (Musician, Staff, Related Blog and Credit) 演奏者と関連ブログ vocapa jimukyoku http //www.youtube.com/channel/UCkNCMUE2bw0_olQJg63vWRg zen8192 http //www.youtube.com/user/zen8192/featured セットリスト（演奏曲目）・その他 (Set List, name of music) セットリスト LIVE SET LIST SET LIST and Producer links of Vocaloid wiki Vocaloid concert directory http //vocaloid.wikia.com/wiki/Vocaloid_concert_directory Live Events http //vocaloid.wikia.com/wiki/Live_Events Summary in English and other language（英語等での紹介） 行事を行う団体や個人等 (Organizer and Group) スポンサー・協賛等 (Sponsor and Support) 関連行事 (Related Event Info.) 紹介記事・参考サイト・謝辞・文献等 (News, References, Acknowledgement and Credit) 情報一覧MEMO Blog ファンメイドライブ ボカパ Vocapa ☆ For the future 2014座席公開 http //hatunemikurin.com/archives/5262 https //twitter.com/mikurinhatune/status/489745460022616064 ボーカロイド無料ライブコンサート ボカパ Vocapa 2014 http //loco.yahoo.co.jp/event/45adda73ed64d65560e7e3412e9a409005d73e8a/ 愛知県でボカロなファンメイドコンサート「ボカパ」が開催されるらしい件 http //39mikustream.blogspot.jp/2014/06/blog-post_8816.html あにめたず http //animetas.jp/ticket/live-63214/ Memo・メモ帳 http //www.asuden.co.jp/ EDIT Page If do not know about editing web page of this Wiki, DO NOT EDIT. Click HERE to Edit Current Page or click following URL to edit this page. http //www18.atwiki.jp/vocalive/editx/183.html Make sure to rewrite correct page number after (/vocalive/editx/) or (/vocalive//editx/PAGE NUMBER.html) to edit current page. [ページ保存] button below the editing window=means SAVE the page after editing to finish editing. [プレビュー] button below the editing window=means PREVIEW the page during editing. input the code number shown to perform these command. To cancel editing, just use Web browser button out side the editing window to go back. or CLOSE the editing page of the Web browser s window. If you make mistake, DO NOT SAVE the page. Do NOT press [ページ保存] button. [» タグ ]box below the editing window=means make TAG of this page after editing. If you have any problem, insert "HELP" in the TAG to identify the page at later for repair. EDIT & MAKE Page コメント・Comment 名前 コメント
https://w.atwiki.jp/prcs/pages/27.html
Hyper Estraier系統の導入(ローカル文書検索) 本体/所要フィルタのインストール KURO-BOX ~# KURO-BOX ~# apt-get install hyperestraier ･ ･ ･ KURO-BOX ~# KURO-BOX ~# apt-get install wv xlhtml ppthtml xpdf ･ ･ ･ KURO-BOX ~# Apache設定ファイルの追記 KURO-BOX ~# KURO-BOX ~# vi /etc/apache2/sites-available/default ･ ･ ･ 追記内容 VirtualHost * 80 ServerAdmin webmaster@localhost DocumentRoot /usr/lib/cgi-bin/share/ Directory / Options FollowSymLinks AllowOverride None /Directory Directory /usr/lib/cgi-bin/share/ Options Indexes FollowSymLinks MultiViews AllowOverride None Order allow,deny allow from all /Directory ScriptAlias /cgi-bin/ /usr/lib/cgi-bin/ Directory "/usr/lib/cgi-bin/" AllowOverride None Options +ExecCGI -MultiViews +SymLinksIfOwnerMatch Order allow,deny Allow from all /Directory ErrorLog /var/log/apache2/error.log LogLevel warn CustomLog /var/log/apache2/access.log combined /VirtualHost ディレクトリ設定ファイルへの追記httpd.confに下記を追加Alias / "/usr/lib/cgi-bin/share/" KURO-BOX ~# KURO-BOX ~# vi /etc/apache2/httpd.conf ･ ･ ･ apacheの再起動 KURO-BOX ~# KURO-BOX ~# /etc/init.d/apache2 reload ･ ･ ･ KURO-BOX ~# 閲覧/付属ファイルの追記/更新estseek.confに下記を追加indexname /usr/lib/cgi-bin/casket replace ^file ///usr/lib/cgi-bin/share/{{!}}http //XX.XX.XX.XX/ KURO-BOX ~# KURO-BOX ~# cp /usr/share/hyperestraier/locale/ja/estseek.* /usr/lib/cgi-bin/ KURO-BOX ~# cp /usr/lib/estraier/estseek.cgi /usr/lib/cgi-bin/ KURO-BOX ~# vi /usr/lib/cgi-bin/estseek.conf ･ ･ ･ indexの作成 KURO-BOX ~# KURO-BOX ~# estcmd gather -il ja -pc UTF-8 -sd /usr/lib/cgi-bin/casket /usr/lib/cgi-bin/share/ ･ ･ ･ KURO-BOX ~# KURO-BOX ~# estcmd gather -cl -fx ".pdf" "H@estfxpdftohtml" -ic ja -pc UTF-8 -sd -cm /usr/lib/cgi-bin/casket /usr/lib/cgi-bin/share/ ･ ･ ･ KURO-BOX ~# KURO-BOX ~# estcmd gather -cl -fx ".doc" "H@estfxmsotohtml" -fz -ic ja -pc UTF-8 -sd -cm /usr/lib/cgi-bin/casket /usr/lib/cgi-bin/share/ ･ ･ ･ KURO-BOX ~# KURO-BOX ~# estcmd gather -cl -fx ".xls" "H@estfxmsotohtml" -fz -ic ja -pc UTF-8 -sd -cm /usr/lib/cgi-bin/casket /usr/lib/cgi-bin/share/ ･ ･ ･ KURO-BOX ~# KURO-BOX ~# estcmd gather -il ja -sd /usr/lib/cgi-bin/casket /var/www/ ･ ･ ･ KURO-BOX ~# ブラウザにて検索http //XX.XX.XX.XX/cgi-bin/estseek.cgi Hyper Estraier系統の導入(グローバル文書検索) クロール情報保存ディレクトリの更新 KURO-BOX ~# KURO-BOX ~# estwaver init /usr/lib/cgi-bin/casket/crawl/ 2012-04-29T09 52 31Z INFO the root directory created KURO-BOX ~# 検索設定ファイルの更新 KURO-BOX ~# KURO-BOX ~# vi /usr/lib/cgi-bin/estseek.conf ･ ･ ･ 追記内容indexname /usr/lib/cgi-bin/casket/crawl/_index/ クロール設定ファイルの更新 KURO-BOX ~# KURO-BOX ~# vi /usr/lib/cgi-bin/casket/crawl/_conf ･ ･ ･ 追記内容seed 1.0|http //www57.atwiki.jp/prcs/ language 1 allowrx ^http //[^/]*\.?www57.atwiki.jp/prcs/ クロールの実行停止 ctrl+c KURO-BOX ~# KURO-BOX ~# estwaver crawl /usr/lib/cgi-bin/casket/crawl/ ･ ･ ･
https://w.atwiki.jp/pixivvitaminx/pages/14.html
企画概要 pixiv VitaminX、略してぴくビタXは「D3 PUBLISHER」様の乙女ゲーム「VitaminX」の舞台・設定をお借りし、皆様達のオリキャラを交流・恋愛等させる企画です。 COLOR(red) この企画は原案会社様、および関係様とは一切関係ありません。 舞台は幼稚舎から大学までエスカレーター式の一貫教育を行っており、豊かな心、確かな学力を生徒一人一人に身に付けさせる事をモットーとした 開催期間は2011年3月5日～2012年3月30日までの約1年間（アフターイベントあるかも）。 1年間の学園生活を謳歌しましょう！ 年間行事予定
https://w.atwiki.jp/jubeat/pages/2337.html
LIGHT CHAT(b_Ave.) LIGHT CHAT(b_Ave.)概要 大まかな流れ 入手方法 LIGHT CHAT(beyond the Ave.新規) LIGHT CHAT(Ave.より継続) LIGHT CHAT(期間限定) 概要 このカテゴリはe-amusement pass使用時のみ表示される jubeat beyond the Ave.の解禁システム。プレー前に解禁を進める(LIGHT CHATを解読する)キャラクターを選択し、終了後、プレー中に貯まったjwattの量に応じてゲージが貯まる。各フェーズクリアで称号・称号パーツ・BONUS TUNE GAUGE・旧シリーズ隠し曲を入手できるほか、各キャラクター最終フェーズをクリアすることでbeyond the Ave.隠し曲を解禁できる。 前作Ave.シリーズより継続しての解禁システムで、シリーズ引継ぎに当たり解禁中だったキャラクター・フェーズ・jwattはすべて引き継がれる。 ホールドマーカー搭載曲の背景はこの色です 大まかな流れ 楽曲をプレーすることで「jwatt」を獲得、各キャラクターのメッセージを解読するための電力として使用されるjwattは楽曲プレーだけでなく、BOOST MISSIONと呼ばれるミッション要素によってボーナスjwattを獲得できる。 入手方法 条件 獲得jwatt 備考 各TUNEで獲得 楽曲をプレー 最大100 スコア÷10000(小数点以下切り捨て) 楽曲プレーでFULL COMBO 25 楽曲をEXCELLENT 25 FULL COMBOと重複する フルコンチャレンジ成功 70 プレー分20、成功分50 フルコンチャレンジ失敗 20 今週のオススメ楽曲をプレー 20 同時に選出されば両方のボーナスを獲得 きょうのオススメ楽曲をプレー 20 ミッションクリアで獲得(BOOSTカテゴリ) 本日初プレー (フェーズにより変動) 1日1回、1曲目のプレー分に加算される プレー後に獲得(OTHERカテゴリ) 大会参加 0～19 順位、参加人数に応じて変動 jwattチャージキャンペーン 100 期間限定ボーナス LIGHT CHAT(beyond the Ave.新規) 今作beyond the Ave.シリーズでの常設隠し曲。jubeat beyond the Ave.稼働開始時(2023/09/20)より常設番号をつけた条件はすべて満たす必要がある キャラクター 出現条件 合計フェーズ 解禁楽曲 CONCIERGE SMITH KOTAROクリア 1 過去シリーズの未解禁楽曲(全曲解禁済みの場合 BONUS TUNE GAUGE 100 ten) SMITH KOTARO 初回チュートリアル 1 beyond the Ave. MIKAGAMI SMITH KOTAROクリア 3 幻想リフレクト MILITIX SMITH KOTAROクリア 3 IGNITE THE IRON HEART KOTSU-KOTSU MIKAGAMIかMILITIXクリア 4 カラフルミニッツ[2] JUMPING JACK 条件１：KOTSU-KOTSUクリア 5 New Decade[2] 条件２：カラフルミニッツ[2]をクリア PRINPY MIKAGAMIクリア 4 アヤノトリ ROLLER-BOY MILITIXクリア 4 Krack Your Soul ARMO 条件１：PRINPYとJUMPING JACKクリア 5 Fate 条件２：Winter Gift ～クリスピーからの贈りもの～をクリアまたは通算200TUNESプレー TONGARI 条件１：PRINPYとROLLER-BOYクリア 5 Croissant 条件２：走れメロンパンをクリアまたは通算200TUNESプレー SAN･DAL Bros. 条件１：JUMPING JACKとROLLER-BOYクリア 5 Prowler 条件２：度胸兄弟の楽曲でSS以上(*1)または通算300TUNESプレー PRAYER 条件１：ARMO・TONGARI・SAN･DAL Bros.クリア 6 pray nightly 条件２：Fate、Croissant、ProwlerのEXT譜面でSSS、FULL COMBO、ALL YELLOWを1つずつ達成(*2)または通算600TUNESプレー SAM pray nightly EXTを4人同曲同譜面マッチングで全員がEXCELLENT または解禁済みのプレーヤーから伝導 1 Thanatøs LIGHT CHAT(Ave.より継続) 前作Ave.シリーズでの常設隠し曲。 解禁条件が緩和され規定jubility・特定曲譜面でのスコアなどの条件が撤廃、それぞれキャラクターのクリア順のみで次回キャラクターが出現するようになった。 キャラクター 出現条件 合計フェーズ 解禁楽曲 SMITH SMITH KOTAROクリア 1 Explore Every Ave. MARINE SMITHクリア 3 Flying Soda MET SMITHクリア 3 Victory of the Century GAU MARINEクリア 4 ZIGZAG COWBOY CAPELI MARINEクリア 4 Reincarnation Of Dead Petal HUNG METクリア 4 Mr.REAPER STRAW METクリア 4 Cranberry BONNY HUNGとSTRAWクリア 5 Liar×Girl PETA CAPELIクリア 5 Elysion ex machina SUNVA GAUクリア 5 †渚のリベンジΣ脈あり!?バケェ～ション† TULI BONNYクリア 5 Time Lapse TOPEE BONNYクリア 5 brown hawk owl NIGNIG PETA・SUNVA・TULI・TOPEEクリア 6 Lost Dream HALO NIGNIGをクリア 6 Crackpot Evangelist LIGHT CHAT(期間限定) 今後復刻が予想されるため、開催中のLIGHT CHATは開催期間を色付きで表示します キャラクター 直近開催期間 合計フェーズ 解禁楽曲 配信日 予備欄 シーズン「JUST CAME」 POMPA 2023/05/17 10 00～2023/06/06 23 59 5 和beat 2022/08/24 TWINY 2023/11/29 10 00～2023/12/19 23 59 5 見えない星の渡り方 2022/09/14 BOB 2024/01/17 10 00～2024/02/07 23 59 5 Anubis 2022/10/05 GENT 2024/02/07 10 00～2024/02/27 23 59 5 怪獣大戦争 2022/12/14 シーズン「FROM IIDX」 TRAN(FROM IIDX-01) 2023/10/18 10 00～2023/11/07 23 59 1 Fly Above 2022/10/19 3 Chewingood!!! 5 Virus Funk 6 Slipstream TRAN(FROM IIDX-02) 2023/11/08 10 00～2023/11/28 23 59 1 satfinal 2022/11/16 3 Don t believe the hype 5 Go Beyond!! 6 DIAMOND CROSSING シーズン「MYSTERY PARK」 SEVEN 2024/04/17 10 00～2024/05/07 23 59 6(2+2+2) After Rain 2023/01/18 クイズあり CoreCore 2024/05/08 10 00～2024/05/28 23 59 6(2+2+2) manticore 2023/03/01 クイズあり BYUN 2024/05/29 10 00～2024/06/18 23 59 6(2+2+2) Reach The Sky 2023/05/10 クイズあり シーズン「FROM SDVX」 TSUMABUKI(FROM SDVX-01) 2023/07/26 10 00～2023/08/15 23 59 1 シープドリーミン 2023/03/16 3 €omet popcorn 5 archive zip 6 I シーズン「FROM DDR」 BABY-LON(FROM DDR-01) 2024/03/06 10 00～2024/03/26 23 59 1 Freeway Shuffle 2023/06/07 3 La libertad 5 Pierce The Sky 6 HAPPY☆LUCKY☆YEAPPY BABY-LON(FROM DDR-02) 2023/03/27 10 00～2024/04/16 23 59 1 out of focus 2023/06/28 3 nightbird lost wing 5 エンドルフィン 6 Blew My Mind シーズン「MINGLE STAR」 LUNA 2023/07/24 10 00～2023/08/22 23 59 5 Insanity Luna 2023/07/24 出現タイミング変動あり(*3) SOL 5 Insanity Sol LANSOUL 6 Insanity 出現条件あり(*4) KONAMI Arcade Championship(2023) SMITH-1 2023/08/09 10 00～2023/09/12 23 59 3 I-W-U (I Want U) 2023/08/09 SMITH-2 2023/09/21 10 00～2023/10/24 23 59 3 Stylus 2023/09/21 SMITH-3 2023/09/21 10 00～2023/10/24 23 59 3 QQ 2023/09/21 シーズン「DING DONG HALL」 ICY 2023/10/25 10 00～2023/11/14 23 59 5 Ice Candy Coaster 2023/10/25 TOGY 2023/11/15 10 00～2023/12/05 23 59 5 チックタック＠ラビリンス 2023/11/15 LAMY 2024/01/10 10 00～2024/01/30 23 59 5 4x4 Parallel Universe 2024/01/10 LANDY 2024/04/10 10 00～2024/04/30 23 59 5 Caribbean Coast 2024/04/10 DOLY 2024/05/22 10 00～2024/06/11 23 59 5 EX-MASSIVE FIGHTER 2024/05/22 シーズン「FROM pop'n」 POP-KUN(FROM pop'n-01) 2024/02/28 10 00～2024/03/19 23 59 1 Music-U 2024/02/28 3 Homesick Pt.2&3 5 nalca 6 BILLION MONEY BAZOOKA POP-KUN(FROM pop'n-02) 2024/03/20 10 00～2024/04/09 23 59 1 天鈴少女 2024/03/20 3 恋とメロンとキューピット 5 ∞space 6 24/7 Popperz
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One Good Turn A Natural History of the Screwdriver and the Screw Scribner? Witold Rybczynski? Scribner? WitoldRybczynski? ジャンル別? Subjects-Arts&Photography-Architecture-General? Subjects-Home&Garden-How-to&HomeImprovements-HandTools? Subjects-Home&Garden-How-to&HomeImprovements-PowerTools? Subjects-Professional&Technical-Architecture-General? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Talking Tech A Conversational Guide to Science and Technology William Morrow & Co? Howard Rheingold? Howard Levine? WilliamMorrow&Co? HowardRheingold? HowardLevine? ジャンル別? Substores-UnknownASINs-15? Subjects-Science-Technology-General&Reference Talking Tech A Conversational Guide to Science and Technology William Morrow & Co? Howard Rheingold? Howard Levine? WilliamMorrow&Co? HowardRheingold? HowardLevine? ジャンル別? Substores-UnknownASINs-15? Subjects-Science-General Subjects-Science-Technology-General&Reference The High Frontier Human Colonies in Space William Morrow & Co? Gerard K. O Neill? WilliamMorrow&Co? GerardK.O Neill? ジャンル別? Substores-UnknownASINs-15? Subjects-Engineering? Subjects-Professional&Technical-Engineering? Subjects-Science-Technology-General&Reference Mothers of Invention From the Bra to the Bomb Forgotten Women and Their Unforgettable Ideas William Morrow & Co? Ethlie Ann Vare? Greg Ptacek? WilliamMorrow&Co? EthlieAnnVare? GregPtacek? ジャンル別? Subjects-Biographies&Memoirs-General? Subjects-History? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference When Technology Wounds The Human Consequences of Progress William Morrow & Co? Chellis Glendinning? WilliamMorrow&Co? ChellisGlendinning? ジャンル別? Subjects-Medicine-Administration&Policy-HealthCareDelivery? Subjects-Nonfiction-Politics-General? 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K.EricDrexler? ChrisPeterson? GaylePergamit? ジャンル別? Substores-UnknownASINs-62? Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Science-General Subjects-Science-Technology-General&Reference Unbounding the Future The Nanotechnology Revolution Quill? K. Eric Drexler? Chris Peterson? Gayle Pergamit? Quill? K.EricDrexler? ChrisPeterson? GaylePergamit? ジャンル別? Substores-UnknownASINs-15? Subjects-Health,Mind&Body-Self-Help-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Biomimicry Innovation Inspired by Nature William Morrow & Co? Janine M. Benyus? WilliamMorrow&Co? JanineM.Benyus? ジャンル別? Subjects-Business&Investing-General? Subjects-Outdoors&Nature-Ecology-General? Subjects-Outdoors&Nature-Environment-Ecology? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Ecology? 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Subjects-Science-BiologicalSciences-Biology-General? Bullet-Proof Logos Creating Great Designs Which Avoid Legal Problems Hearst Books? David E. Carter? James R. Higgins? HearstBooks? DavidE.Carter? JamesR.Higgins? ジャンル別? Subjects-Arts&Photography-GraphicDesign-Commercial-Advertising? Subjects-Arts&Photography-GraphicDesign-Design-General? Subjects-Arts&Photography-GraphicDesign-GraphicArts-General? Subjects-Science-Technology-General&Reference Extraordinary Stories Behind the Invention of Ordinary Things Lothrop Lee & Shepard? Don L. Wulffson? Roy Doty? LothropLee&Shepard? DonL.Wulffson? RoyDoty? ジャンル別? Subjects-Children sBooks-Ages9-12-General? Subjects-Children sBooks-Science,Nature&HowItWorks-General? Subjects-Reference-Education-General? Subjects-Reference-TestPrepCentral-General? Subjects-Science-Technology-General&Reference Looking Inside Machines and Constructions Atheneum? Paul Fleisher? Patricia Keeler? Atheneum? PaulFleisher? PatriciaKeeler? ジャンル別? Subjects-Children sBooks-Ages9-12-General? Subjects-Science-Technology-General&Reference Subjects-Teens-Science&Technology-General? How to Be an Inventor Ty Crowell Co? Harvey Weiss? TyCrowellCo? HarveyWeiss? ジャンル別? Subjects-Children sBooks-Ages9-12-General? Subjects-Science-Technology-General&Reference Should We Risk It? Exploring Environmental, Health, and Technological Problem Solving Princeton Univ Pr? Daniel M. Kammen? David M. Hassenzahl? PrincetonUnivPr? DanielM.Kammen? DavidM.Hassenzahl? ジャンル別? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Nonfiction-Government-PublicPolicy? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Religion&Spirituality-NewAge-Divination-General? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Risks? Paths of Fire An Anthropologist's Inquiry into Western Technology Princeton Univ Dept of Art &? Robert McCormick Adams? PrincetonUnivDeptofArt&? RobertMcCormickAdams? ジャンル別? Subjects-Computers&Internet-Business&Culture-FutureofComputing? Subjects-History-HistoricalStudy-Civilization&Culture? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-SocialSciences-Anthropology-General? Subjects-Nonfiction-SocialSciences-Anthropology-History&Philosophy? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Sociology-SocialTheory? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Science-BehavioralSciences-Anthropology? From Steam to Diesel Managerial Customs and Organizational Capabilities in the Twentieth-Century American Locomotive Industry (Princeton Studies in Business and Technology) Princeton Univ Pr? Albert J. Churella? PrincetonUnivPr? AlbertJ.Churella? ジャンル別? Substores-UnknownASINs-62? Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-History-Americas-UnitedStates-20thCentury-General? Subjects-History-World-Transportation-Railroads? Subjects-Nonfiction-Transportation-Railroads-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference The Elusive Transformation Science, Technology, and the Evolution of International Politics Princeton Univ Pr? Eugene B. Skolnikoff? PrincetonUnivPr? EugeneB.Skolnikoff? ジャンル別? Subjects-Nonfiction-Politics-International-Relations? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Building New Communities New Deal America and Fascist Italy Princeton Univ Pr? Diane Yvonne Ghirardo? PrincetonUnivPr? DianeYvonneGhirardo? ジャンル別? Subjects-Arts&Photography-Architecture-General? Subjects-History-Europe-Italy-General? Subjects-Nonfiction-SocialSciences-Sociology-Rural? Subjects-Nonfiction-SocialSciences-Sociology-Urban? Subjects-Nonfiction-SocialSciences-Sociology-Communities? Subjects-Nonfiction-UrbanPlanning&Development-NewTowns? Subjects-Professional&Technical-Architecture-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference The Knowledge Industry in the United States, 1960-1980 Princeton Univ Pr? Michael Rogers Rubin? Mary Taylor Huber? Elizabeth Lloyd Taylor? PrincetonUnivPr? MichaelRogersRubin? MaryTaylorHuber? ElizabethLloydTaylor? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-Service? Subjects-History-HistoricalStudy-HistoryofIdeas? Subjects-Reference-Education-Questions&Answers? Subjects-Reference-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Food and Drug Legislation in the New Deal Princeton University Press? Charles O. Jackson? PrincetonUniversityPress? CharlesO.Jackson? ジャンル別? Subjects-History? Subjects-Law-General? Subjects-Nonfiction-Law-General? Subjects-Professional&Technical-Law-General? Subjects-Science-Technology-General&Reference Most Wonderful Machine Mechanization and Social Change in Berkshire Papermaking, 1801-1885 Princeton Univ Pr? Judith A. McGaw? PrincetonUnivPr? JudithA.McGaw? ジャンル別? Substores-UnknownASINs-16? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-History-Americas-UnitedStates-State&Local-Massachusetts? Subjects-Nonfiction-SocialSciences-General? Subjects-Nonfiction-SocialSciences-Sociology-SocialTheory? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Engineering-MaterialsScience-Paper&Woodpulp? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Engineering-MaterialsScience-Paper&Woodpulp? The Corncribs of Buzet Modernizing Agriculture in the French Southwest Princeton Univ Pr? Peter H. Amann? PrincetonUnivPr? PeterH.Amann? ジャンル別? Substores-UnknownASINs-16? Subjects-Business&Investing-Economics-Agricultural? Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Nonfiction-Economics-Agricultural? Subjects-Professional&Technical-Accounting&Finance-Economics-Agricultural? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-Economics? What Science Is and How It Works Princeton Univ Pr? Gregory Neil Derry? PrincetonUnivPr? GregoryNeilDerry? ジャンル別? Subjects-Nonfiction-Philosophy-Science? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-Technology-General&Reference Printing Technology, Letters Samuel Johnson Princeton Univ Pr? Alvin Kernan? PrincetonUnivPr? AlvinKernan? ジャンル別? Subjects-History-Europe-England-General? Subjects-Literature&Fiction-Classics? Subjects-Literature&Fiction-History&Criticism-Movements&Periods? Subjects-Literature&Fiction-WorldLiterature-British-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Fabricating History English Writers on the French Revolution Princeton Univ Pr? Barton R. Friedman? PrincetonUnivPr? BartonR.Friedman? ジャンル別? Subjects-History-Europe-France-Revolution? Subjects-Literature&Fiction-History&Criticism-Criticism&Theory-General? Subjects-Literature&Fiction-ShortStories-British? Subjects-Literature&Fiction-WorldLiterature-British-General? Subjects-Literature&Fiction-WorldLiterature-British-19thCentury? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Endless Novelty Specialty Production and American Industrialization, 1865-1925 Princeton Univ Pr? Philip Scranton? PrincetonUnivPr? PhilipScranton? ジャンル別? Subjects-Business&Investing-Biographies&Primers-BusinessHistory? Subjects-Business&Investing-Industries&Professions-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-History-Americas-UnitedStates-General? Subjects-History-World-General? Subjects-History-World-17thCentury? Subjects-Nonfiction-Economics-EconomicHistory? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicHistory? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Should We Risk It? Exploring Environmental, Health, and Technological Problem Solving Princeton Univ Pr? Daniel M. Kammen? David M. Hassenzahl? PrincetonUnivPr? DanielM.Kammen? DavidM.Hassenzahl? ジャンル別? Subjects-Nonfiction-Government-PublicPolicy? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Religion&Spirituality-NewAge-Divination-General? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Risks? Aerodynamics of Turbines and Compressors (High Speed Aerodynamics) Princeton University Press? W.R. Hawthorne? W.T. Olson? PrincetonUniversityPress? W.R.Hawthorne? W.T.Olson? ジャンル別? Subjects-Engineering-Aerospace-Aerodynamics? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Aerospace-Aerodynamics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Science-Technology-General&Reference Electron Micrographs of Limestones and Their Nannofossils (Monographs in Geology Palaeontology) Princeton University Press? A.G. Fischer? S. Honjo? PrincetonUniversityPress? A.G.Fischer? S.Honjo? ジャンル別? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-Evolution-Paleontology-General? Subjects-Science-Technology-General&Reference Electron Micrographs of Limestones and Their Nannofossils (Monographs in Geology Palaeontology) Princeton University Press? A.G. Fischer? S. Honjo? PrincetonUniversityPress? A.G.Fischer? S.Honjo? ジャンル別? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-Evolution-Paleontology-General? Subjects-Science-Technology-General&Reference Hydrogen Ion Concentration Princeton Univ Pr? John E. Ricci? PrincetonUnivPr? JohnE.Ricci? ジャンル別? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Science-Chemistry-General&Reference? Subjects-Science-General Subjects-Science-Technology-General&Reference Global Analysis Papers in Honor of K. Kodava (Mathematics) Princeton Univ Pr? D. C. Spencer? S. Iyanaga? PrincetonUnivPr? D.C.Spencer? S.Iyanaga? ジャンル別? Substores-UnknownASINs-16? Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-Calculus? Subjects-Science-Mathematics-MathematicalAnalysis? Subjects-Science-Mathematics-PureMathematics-Calculus? Subjects-Science-Technology-General&Reference Optimization Princeton University Press? L.W. Neustadt? PrincetonUniversityPress? L.W.Neustadt? ジャンル別? Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-PureMathematics-Calculus? Subjects-Science-Mathematics-Geometry&Topology-Topology? Subjects-Science-Technology-General&Reference The Dynamics of Arthropod Predator-Prey Systems (Monographs in Population Biology, 13) Princeton Univ Pr? Michael Patrick Hassell? PrincetonUnivPr? MichaelPatrickHassell? ジャンル別? Substores-UnknownASINs-16? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Zoology-General? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Zoology-Invertebrates? Subjects-Science-Technology-General&Reference Subjects-Science-BiologicalSciences-Zoology-General? Subjects-Science-BiologicalSciences-Zoology-Invertebrates? Aepinus's Essay on the Theory of Electricity and Magnetism Princeton University Press? R.W. Home? P.J. Connor? PrincetonUniversityPress? R.W.Home? P.J.Connor? ジャンル別? Subjects-Engineering-Electrical&Electronics-ElectromagneticTheory? Subjects-Nonfiction-Philosophy-Science? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectromagneticTheory? Subjects-Science-History&Philosophy-General? Subjects-Science-Physics-General? Subjects-Science-Physics-Electromagnetism-General? Subjects-Science-Physics-Electromagnetism-Electricity? Subjects-Science-Technology-General&Reference The Social Context of Innovation Princeton Univ Pr? Anthony F. C. Wallace? PrincetonUnivPr? AnthonyF.C.Wallace? ジャンル別? Subjects-Business&Investing-Economics-EconomicPolicy&Development? 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Subjects-Science-Technology-General&Reference The Elusive Transformation Science, Technology, and the Evolution of International Politics Princeton Univ Pr? Eugene B. Skolnikoff? PrincetonUnivPr? EugeneB.Skolnikoff? ジャンル別? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-Politics-International-Relations? Subjects-Science-General Subjects-Science-Technology-General&Reference Theory of Cmos Digital Circuits and Circuit Failures Princeton Univ Pr? Masakazu Shoji? PrincetonUnivPr? MasakazuShoji? ジャンル別? Subjects-Computers&Internet-ComputerScience-Circuitry-CircuitComponents? Subjects-Computers&Internet-Hardware-Peripherals? Subjects-Computers&Internet-General? Subjects-Engineering-Electrical&Electronics-Circuits? Subjects-Engineering-Electrical&Electronics-Semiconductors? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Semiconductors? Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Combinatorics of Train Tracks (Annals of Mathematics Studies, No 125) Princeton Univ Pr? R. C. Penner? J. L. Harer? PrincetonUnivPr? R.C.Penner? J.L.Harer? ジャンル別? Substores-UnknownASINs-16? Subjects-Engineering-Civil-Transportation&Highway? Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-PureMathematics-Combinatorics? Subjects-Science-Technology-General&Reference Modernization and the Japanese Factory Princeton Univ Pr? Robert Mortimer Marsh? Hiroshi Mannari? PrincetonUnivPr? RobertMortimerMarsh? HiroshiMannari? ジャンル別? Subjects-Business&Investing-BusinessLife-Workplace? Subjects-Business&Investing-Management&Leadership-Leadership? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Leadership? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Science-Technology-General&Reference Cities of Knowledge Cold War Science and the Search for the Next Silicon Valley (Politics and Society in Twentieth-Century America) Princeton Univ Pr? Margaret Pugh O Mara? PrincetonUnivPr? MargaretPughO Mara? ジャンル別? Substores-UnknownASINs-60? Subjects-Business&Investing-Biographies&Primers-BusinessHistory? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-History-Americas-UnitedStates-20thCentury-General? Subjects-Nonfiction-SocialSciences-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-Economics-EconomicHistory? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicHistory? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Logics of Organization Theory Audiences, Codes, and Ecologies Princeton Univ Pr? Michael T. Hannan? Laszlo Polos? Glenn R. Carroll? PrincetonUnivPr? MichaelT.Hannan? LaszloPolos? GlennR.Carroll? ジャンル別? Subjects-Nonfiction-Philosophy-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Science, Technology, and Medicine (Human Arrangements An Introduction to Sociology, 4th) Mcgraw-Hill College? Allan G. Johnson? Mcgraw-HillCollege? AllanG.Johnson? ジャンル別? Substores-UnknownASINs-16? Subjects-Medicine-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-General? Kansas State University The Quest for Identity Univ Pr of Kansas? James Charles Carey? UnivProfKansas? JamesCharlesCarey? ジャンル別? Subjects-History-Americas-UnitedStates-State&Local-Kansas? Subjects-Nonfiction-Education-UnitedStates? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Poisoned Power Chatto and Windus? John W. Gofman? Arthur R. Tamplin? ChattoandWindus? JohnW.Gofman? ArthurR.Tamplin? ジャンル別? Subjects-Science-Technology-General&Reference Introduction to Engineering Mechanics Jacaranda Pr? Barry Royce Schlenker? Donald McKern? JacarandaPr? BarryRoyceSchlenker? DonaldMcKern? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Physics-Mechanics? Subjects-Science-General Subjects-Science-Physics-Mechanics? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-General&Reference 洋書
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http //www.nicovideo.jp/watch/sm6155732 【曲名】 Snatch 【アーティスト】 賢木修二 (CV 谷山紀章) 【歌詞】 http //www.kasi-time.com/item-41073.html 【作詞】 くまのきよみ 【作曲】 村瀬恭久 【編曲】 村瀬恭久 【作品】 絶対可憐チルドレン 【メディア】 TVアニメ 【テーマ】 キャラクターソング 【初出】 2009年 【備考】 フラメンコの曲調から2番後の間奏にスクラッチ＆ラップ。それにしても歌上手いわー。
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CHAPTER III UP CHAPTER V CHAPTER IV Morning at Green Gables It was broad daylight when Anne awoke and sat up in bed, staring confusedly at the window through which a flood of cheery sunshine was pouring and outside of which something white and feathery waved across glimpses of blue sky. For a moment she could not remember where she was. First came a delightful thrill, as something very pleasant; then a horrible remembrance. This was Green Gables and they didn t want her because she wasn t a boy! But it was morning and, yes, it was a cherry-tree in full bloom outside of her window. With a bound she was out of bed and across the floor. She pushed up the sash--it went up stiffly and creakily, as if it hadn t been opened for a long time, which was the case; and it stuck so tight that nothing was needed to hold it up. Anne dropped on her knees and gazed out into the June morning, her eyes glistening with delight. Oh, wasn t it beautiful? Wasn t it a lovely place? Suppose she wasn t really going to stay here! She would imagine she was. There was scope for imagination here. A huge cherry-tree grew outside, so close that its boughs tapped against the house, and it was so thick-set with blossoms that hardly a leaf was to be seen. On both sides of the house was a big orchard, one of apple-trees and one of cherry-trees, also showered over with blossoms; and their grass was all sprinkled with dandelions. In the garden below were lilac-trees purple with flowers, and their dizzily sweet fragrance drifted up to the window on the morning wind. Below the garden a green field lush with clover sloped down to the hollow where the brook ran and where scores of white birches grew, upspringing airily out of an undergrowth suggestive of delightful possibilities in ferns and mosses and woodsy things generally. Beyond it was a hill, green and feathery with spruce and fir; there was a gap in it where the gray gable end of the little house she had seen from the other side of the Lake of Shining Waters was visible. Off to the left were the big barns and beyond them, away down over green, low-sloping fields, was a sparkling blue glimpse of sea. Anne s beauty-loving eyes lingered on it all, taking everything greedily in. She had looked on so many unlovely places in her life, poor child; but this was as lovely as anything she had ever dreamed. She knelt there, lost to everything but the loveliness around her, until she was startled by a hand on her shoulder. Marilla had come in unheard by the small dreamer. "It s time you were dressed," she said curtly. Marilla really did not know how to talk to the child, and her uncomfortable ignorance made her crisp and curt when she did not mean to be. Anne stood up and drew a long breath. "Oh, isn t it wonderful?" she said, waving her hand comprehensively at the good world outside. "It s a big tree," said Marilla, "and it blooms great, but the fruit don t amount to much never--small and wormy." "Oh, I don t mean just the tree; of course it s lovely--yes, it s RADIANTLY lovely--it blooms as if it meant it--but I meant everything, the garden and the orchard and the brook and the woods, the whole big dear world. Don t you feel as if you just loved the world on a morning like this? And I can hear the brook laughing all the way up here. Have you ever noticed what cheerful things brooks are? They re always laughing. Even in winter-time I ve heard them under the ice. I m so glad there s a brook near Green Gables. Perhaps you think it doesn t make any difference to me when you re not going to keep me, but it does. I shall always like to remember that there is a brook at Green Gables even if I never see it again. If there wasn t a brook I d be HAUNTED by the uncomfortable feeling that there ought to be one. I m not in the depths of despair this morning. I never can be in the morning. Isn t it a splendid thing that there are mornings? But I feel very sad. I ve just been imagining that it was really me you wanted after all and that I was to stay here for ever and ever. It was a great comfort while it lasted. But the worst of imagining things is that the time comes when you have to stop and that hurts." "You d better get dressed and come down-stairs and never mind your imaginings," said Marilla as soon as she could get a word in edgewise. "Breakfast is waiting. Wash your face and comb your hair. Leave the window up and turn your bedclothes back over the foot of the bed. Be as smart as you can." Anne could evidently be smart to some purpose for she was down-stairs in ten minutes time, with her clothes neatly on, her hair brushed and braided, her face washed, and a comfortable consciousness pervading her soul that she had fulfilled all Marilla s requirements. As a matter of fact, however, she had forgotten to turn back the bedclothes. "I m pretty hungry this morning," she announced as she slipped into the chair Marilla placed for her. "The world doesn t seem such a howling wilderness as it did last night. I m so glad it s a sunshiny morning. But I like rainy mornings real well, too. All sorts of mornings are interesting, don t you think? You don t know what s going to happen through the day, and there s so much scope for imagination. But I m glad it s not rainy today because it s easier to be cheerful and bear up under affliction on a sunshiny day. I feel that I have a good deal to bear up under. It s all very well to read about sorrows and imagine yourself living through them heroically, but it s not so nice when you really come to have them, is it?" "For pity s sake hold your tongue," said Marilla. "You talk entirely too much for a little girl." Thereupon Anne held her tongue so obediently and thoroughly that her continued silence made Marilla rather nervous, as if in the presence of something not exactly natural. Matthew also held his tongue,--but this was natural,--so that the meal was a very silent one. As it progressed Anne became more and more abstracted, eating mechanically, with her big eyes fixed unswervingly and unseeingly on the sky outside the window. This made Marilla more nervous than ever; she had an uncomfortable feeling that while this odd child s body might be there at the table her spirit was far away in some remote airy cloudland, borne aloft on the wings of imagination. Who would want such a child about the place? Yet Matthew wished to keep her, of all unaccountable things! Marilla felt that he wanted it just as much this morning as he had the night before, and that he would go on wanting it. That was Matthew s way--take a whim into his head and cling to it with the most amazing silent persistency--a persistency ten times more potent and effectual in its very silence than if he had talked it out. When the meal was ended Anne came out of her reverie and offered to wash the dishes. "Can you wash dishes right?" asked Marilla distrustfully. "Pretty well. I m better at looking after children, though. I ve had so much experience at that. It s such a pity you haven t any here for me to look after." "I don t feel as if I wanted any more children to look after than I ve got at present. YOU RE problem enough in all conscience. What s to be done with you I don t know. Matthew is a most ridiculous man." "I think he s lovely," said Anne reproachfully. "He is so very sympathetic. He didn t mind how much I talked--he seemed to like it. I felt that he was a kindred spirit as soon as ever I saw him." "You re both queer enough, if that s what you mean by kindred spirits," said Marilla with a sniff. "Yes, you may wash the dishes. Take plenty of hot water, and be sure you dry them well. I ve got enough to attend to this morning for I ll have to drive over to White Sands in the afternoon and see Mrs. Spencer. You ll come with me and we ll settle what s to be done with you. After you ve finished the dishes go up-stairs and make your bed." Anne washed the dishes deftly enough, as Marilla who kept a sharp eye on the process, discerned. Later on she made her bed less successfully, for she had never learned the art of wrestling with a feather tick. But is was done somehow and smoothed down; and then Marilla, to get rid of her, told her she might go out-of-doors and amuse herself until dinner time. Anne flew to the door, face alight, eyes glowing. On the very threshold she stopped short, wheeled about, came back and sat down by the table, light and glow as effectually blotted out as if some one had clapped an extinguisher on her. "What s the matter now?" demanded Marilla. "I don t dare go out," said Anne, in the tone of a martyr relinquishing all earthly joys. "If I can t stay here there is no use in my loving Green Gables. And if I go out there and get acquainted with all those trees and flowers and the orchard and the brook I ll not be able to help loving it. It s hard enough now, so I won t make it any harder. I want to go out so much--everything seems to be calling to me, `Anne, Anne, come out to us. Anne, Anne, we want a playmate --but it s better not. There is no use in loving things if you have to be torn from them, is there? And it s so hard to keep from loving things, isn t it? That was why I was so glad when I thought I was going to live here. I thought I d have so many things to love and nothing to hinder me. But that brief dream is over. I am resigned to my fate now, so I don t think I ll go out for fear I ll get unresigned again. What is the name of that geranium on the window-sill, please?" "That s the apple-scented geranium." "Oh, I don t mean that sort of a name. I mean just a name you gave it yourself. Didn t you give it a name? May I give it one then? May I call it--let me see--Bonny would do--may I call it Bonny while I m here? Oh, do let me!" "Goodness, I don t care. But where on earth is the sense of naming a geranium?" "Oh, I like things to have handles even if they are only geraniums. It makes them seem more like people. How do you know but that it hurts a geranium s feelings just to be called a geranium and nothing else? You wouldn t like to be called nothing but a woman all the time. Yes, I shall call it Bonny. I named that cherry-tree outside my bedroom window this morning. I called it Snow Queen because it was so white. Of course, it won t always be in blossom, but one can imagine that it is, can t one?" "I never in all my life say or heard anything to equal her," muttered Marilla, beating a retreat down to the cellar after potatoes. "She is kind of interesting as Matthew says. I can feel already that I m wondering what on earth she ll say next. She ll be casting a spell over me, too. She s cast it over Matthew. That look he gave me when he went out said everything he said or hinted last night over again. I wish he was like other men and would talk things out. A body could answer back then and argue him into reason. But what s to be done with a man who just LOOKS?" Anne had relapsed into reverie, with her chin in her hands and her eyes on the sky, when Marilla returned from her cellar pilgrimage. There Marilla left her until the early dinner was on the table. "I suppose I can have the mare and buggy this afternoon, Matthew?" said Marilla. Matthew nodded and looked wistfully at Anne. Marilla intercepted the look and said grimly "I m going to drive over to White Sands and settle this thing. I ll take Anne with me and Mrs. Spencer will probably make arrangements to send her back to Nova Scotia at once. I ll set your tea out for you and I ll be home in time to milk the cows." Still Matthew said nothing and Marilla had a sense of having wasted words and breath. There is nothing more aggravating than a man who won t talk back--unless it is a woman who won t. Matthew hitched the sorrel into the buggy in due time and Marilla and Anne set off. Matthew opened the yard gate for them and as they drove slowly through, he said, to nobody in particular as it seemed "Little Jerry Buote from the Creek was here this morning, and I told him I guessed I d hire him for the summer." Marilla made no reply, but she hit the unlucky sorrel such a vicious clip with the whip that the fat mare, unused to such treatment, whizzed indignantly down the lane at an alarming pace. Marilla looked back once as the buggy bounced along and saw that aggravating Matthew leaning over the gate, looking wistfully after them. CHAPTER III UP CHAPTER V 今日 - | 昨日 - | Total - since 04 June 2007 last update 2007-06-05 01 32 16 (Tue)
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